Beater Bibles 101: Compact ESV in British Tan Bonded Leather

How's this for a change of pace? Instead of a pristine, high-end edition, I'd like to introduce you to a cheap bonded leather Bible with a glued binding, a fairly typical representative of the type with one or two exceptions. This is the original Compact ESV in British Tan bonded leather, superseded a few years ago by the newer, larger Deluxe Compact with sewn binding. 

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A thing of beauty? Not exactly. And yet, there is something to it, I have to say. While the materials and construction are unimpressive, this little Bible comes very close to my aesthetic ideal. The color of the cover is right -- a mid-brown tan -- and the warm gold ribbon is a perfect complement. The size is excellent, too: just 6" x 4" x 0.75", perfect for slipping into a jacket pocket. Back when I worshipped in a church with old fashioned pews, size really wasn't an issue, but now the chairs are stackable and there are move things to juggle in hand, so I really appreciate a pocket Bible.

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One of the terms you'll hear collectors use often is "beater," the idea being that for everyday use instead of employing something valuable, you have a cheaper alternative at hand, one you don't mind messing up. If you're into watches, you might wear a Patek on special occasions and a Seiko every day. You get the idea. Personally, I don't subscribe to the theory. The point of quality in my mind isn't to remain intact ... it's to hold up better to use. So every Bible is a beater Bible to me, or it's not worth having. 

Still, I don't treat every edition the same. I might use a nice Bible (and that use might equate to abuse in somebody else's book), but I still take care of it and don't expose it to ridiculous maltreatment. No, that sort of thing is reserved for a Bible like the Compact ESV. How do you know a Bible is a beater? When you don't bother to clean off the stains from where you spilled coffee all over it:

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Yes, this is probably the nicest smelling Bible I have. Say what you want about the aroma of leather, it's nothing compared to coffee beans. The back quarter of pages was inundated by the spill, giving them a crispy, brown complexion. But that doesn't stop me from using it from time to time. This is one of those editions I misplace, forget about, and then rediscover and start using again. Not long ago I found it tucked into the bottom of the pouch behind the driver's seat of my wife's station wagon. Last Sunday I read the call to worship from it. 


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For someone accustomed to quality, there's plenty not to like. The cover (above) has a mind of its own, and the edges have gotten a bit raggedy. The faux grain is kinda nice, though, and the fact that no pages have fallen out despite a lack of care is a testament to the power of glue. Maybe the fact that I've used this as more of a ready reference than a daily reader contributes to the longevity.

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Ah, but will it open flat? Not of its own free will. Instead you get this funky half-open posture, which it'll hold for a couple of seconds before closing itself:

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It's stands up straight, though:

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And guess what? There is a way to make it open flat, it's just not pretty. The first step is to give the little Bible a newspaper roll, like so:

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And the result is something like this:

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For my purposes, though, the compact size and the fact that the bonded leather cover is flexible enough make this is a perfectly usable edition. The complaint about the Compact ESV was that the type was too small, and for sustained use that's probably right. However, I think there's something to be said for a Bible small enough for convenient use in worship, ready when needed and easily tucked away at other times. Which must be why I'm holding onto this thing. Sure, I wish it had the updated ESV text, and I wish the cover was calfskin and there were a couple more ribbons. For what it is, though, and for what it cost, I'm not complaining.


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J. MARK BERTRAND

J. Mark Bertrand is a novelist and pastor whose writing on Bible design has helped spark a publishing revolution. Mark is the author of Rethinking Worldview: Learning to Think, Live, and Speak in This World (Crossway, 2007), as well as the novels Back on Murder, Pattern of Wounds, and Nothing to Hide—described as a “series worth getting attached to” (Christianity Today) by “a major crime fiction talent” (Weekly Standard) in the vein of Michael Connelly, Ian Rankin, and Henning Mankell.

Mark has a BA in English Literature from Union University, an MFA in Creative Writing from the University of Houston, and an M.Div. from Heidelberg Theological Seminary. Through his influential Bible Design Blog, Mark has championed a new generation of readable Bibles. He is a founding member of the steering committee of the Society of Bible Craftsmanship, and chairs the Society’s Award Committee. His work was featured in the November 2021 issue of FaithLife’s Bible Study Magazine.

Mark also serves on the board of Worldview Academy, where he has been a member of the faculty of theology since 2003. Since 2017, he has been an ordained teaching elder in the Presbyterian Church in America. He and his wife Laurie life in Sioux Falls, South Dakota.

http://www.lectio.org
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