Cambridge Clarion ESV Rebound by Leonard's Book Restoration

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Leonard's rebound my Clarion in dark brown English calf with beautiful results.

Last year I visited Leonard’s Book Restoration, where I met the Haleys, Eric and Margie, and their staff of dedicated bookbinders. At the time they were in the middle of a major construction project, expanding to accommodate the increasing demand for Bible rebinding. Not long ago, the majority of Bibles sent for rebinding were family heirlooms, books whose covers were worn out from years of use, their pages loose and needing to be re-sewn. Such projects still come in, but there’s been an big shift toward what you might call aesthetic rebinding, in which the owner sends in a perfectly intact (even new) Bible for an upgraded custom binding. That’s the kind of project that brought me to Leonard’s that day.

 

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Eric Haley discusses my options.

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If you work at Leonard's, you're surrounded by piles of this.

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Making a cover.

The base Bible was certainly in no need of repair -- or for that matter, upgrade. It was a new-in-box Cambridge Clarion ESV bound in limp black goatskin. Perfectly wonderful as is. However, I had decided long before that I wanted a nice single column ESV bound as a leather hardcover. After corresponding back and forth with Margie Haley to work out the specs, the project languished awhile. I knew what I wanted in terms of binding, I just didn’t know which Bible I wanted rebound. Then the Clarion came along and utterly charmed me. Since I was already planning to visit the Leonard’s workshop in person, I brought the Clarion along.


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The brown leather and gold ribbons go well with the book block's art-gilding.

The specifications were simple enough. I wanted a hardcover bound in leather with raised bands and a contrasting color title label. To keep with the fine binding theme, I also decided to go with a marbled endpaper. Three thick gold ribbons were also added to make it easier to use this Bible with my preferred reading plan. 

One decision I ended up backpedaling on was the color. Originally, I wanted a dark green goatskin cover. Ever since I read in Compton Mackenzie’s history of smoking that he once had a green monkey skin tobacco pouch, I’ve had an admittedly bizarre fixation with green leather. (I like monkeys, too, but with the skin still on.) A hand-rubbed finish with some light-dark variation would be nice, reminiscent of a verdigris patina. 


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Obsessed with green? I confess. Turn out my pockets and you can't help but notice. Still, when it came down to it, I succombed to the dark brown leather with no regrets.

In the shop, however, Eric showed me a book being rebound in a nice hand-rubbed dark brown English calf. It has the color depth I was looking for, but struck me as much less likely to trigger buyer’s remorse. So I played it safe and went with the dark brown leather, with a dark red label on the spine for the title. 


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Inspecting a binding.

The visit took place in June 2012, and by the time I returned home at the end of July the Bible had already arrived. Total cost was around $180. The result was everything I expected, pleasant not just to look at but also to use.

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I chose the endpapers for maximum impact.

You can see from the photos how well the Clarion project turned out. The only negative I can come up with is the fabric headband. I prefer the more traditional threaded type.

Now why would a fan of limp bindings like me choose a hardcover binding? Two reasons, one aesthetic and the other practical. Before my interest in Bible design and binding, I was enamored with antiquarian books. There are now shelves of them in the house -- you catch the occasional glimpse in some of my photos here. Despite being surrounded by leather-bound hardcovers, it had simply never occurred to me that I could have a Bible bound that way. I saw a few examples of hardcover projects other people in the BDB community had done, and they inspired me. 


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Bibles waiting to be rebound.

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So many choices!

On the practical level, even an ornate hardcover brims with durability. You don’t need to worry about how to store it. You don’t need to keep it in the box or in a slipcase. You just place it on the shelf like any other book (something I would never do with a softcover leather binding). I liked the idea of having a leather-bound Bible on the shelf ready to be pulled down for reference, or to take with me. 

J. MARK BERTRAND

J. Mark Bertrand is a novelist and pastor whose writing on Bible design has helped spark a publishing revolution. Mark is the author of Rethinking Worldview: Learning to Think, Live, and Speak in This World (Crossway, 2007), as well as the novels Back on Murder, Pattern of Wounds, and Nothing to Hide—described as a “series worth getting attached to” (Christianity Today) by “a major crime fiction talent” (Weekly Standard) in the vein of Michael Connelly, Ian Rankin, and Henning Mankell.

Mark has a BA in English Literature from Union University, an MFA in Creative Writing from the University of Houston, and an M.Div. from Heidelberg Theological Seminary. Through his influential Bible Design Blog, Mark has championed a new generation of readable Bibles. He is a founding member of the steering committee of the Society of Bible Craftsmanship, and chairs the Society’s Award Committee. His work was featured in the November 2021 issue of FaithLife’s Bible Study Magazine.

Mark also serves on the board of Worldview Academy, where he has been a member of the faculty of theology since 2003. Since 2017, he has been an ordained teaching elder in the Presbyterian Church in America. He and his wife Laurie life in Sioux Falls, South Dakota.

http://www.lectio.org
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